But what about GUI, I hear you cry? After all, System. Forms is going great guns on Linux, things are by no means as positive where OS X is concerned. Yes, you can create graphical applications with forms, dialogs, etc. Forms implementation is built on top of System. Drawing which, in turn, makes use of X On the positive side, the Mono folks have written a small utility called macpack which packages up a WinForms executable into an application bundle, meaning it can be started from Finder in the usual way.
Figure 2 shows a screenshot of MonoDevelop, a C -based development system which will even run on the Mac, but it knows nowt about Cocoa.
There are a number of web sites around which give a somewhat rosier impression of the state of play as far as Mono development on the Mac is concerned. Is it? Well, uhhh.. I eagerly downloaded iFolder from here , installed it and then sat back to enjoy my first experience of a turnkey Mono application running under OS X. Needless to say, the user interface looked suspiciously native, and a quick peek inside the application using my favourite spelunking tools revealed that — sure enough — the iFolder front-end is a perfectly conventional Objective-C Mac application written using Cocoa frameworks.
All the Mono code resides in the non-GUI back-end. Private viewings by appointment only, please…. Similar considerations apply to Unity, a design tool for 3D game development that runs on both OS X and Windows, available for download here. NIB files inside the executable. The developers themselves make it clear that Mono is used by Unity — but as a scripting language.
In fact, the trend seems to be that several games companies are adopting C through Mono as a scripting language for complex game systems on non-Wintel platforms. As a little aside, I recently discovered that some folks are successfully using cross-platform tools to create Mac applications with a near-native look and feel. It works well, is fast, and currently supports Windows and OS X. A Linux version is planned. On the Mac, Mono is ideal if you need a powerful, efficient scripting language or want to create command-line tools that are portable to Linux and Windows.
If that was all there was to say, things might be a bit depressing. However, let me introduce you to another interesting little open-source project variously called Cocoa , CocoaSharp or Cocoa-Sharp depending on which Web site you visit. As the name possibly! The idea is that, with Cocoa , C developers get access to the rich functionality contained in the Cocoa libraries.
More importantly, it means that Mono applications on the Mac automatically get the native look and feel that Mac users expect. Once the download is complete, expand this zip file if it isn't done automatically. Inside here is a subfolder called "bin", and within this is the actual yWriter5. I recommend creating a new yWriter5 folder in your Applications directory, then copying the contents of bin, like this:. Use this same set of commands every time you want to run it again in the future. Note for first-time usage: For some users, yWriter5 won't start up properly and seems to hang on the splash screen.
Try restarting it with this command:. This should allow yWriter5 to create its necessary files and get past the loading screen. In the future you shouldn't need to do this again - use the startup instructions at the beginning of Step 3. Search this site. About yWriter. Installing on Linux. Installing on Mac OS X. Installing on Windows. Also on the subject of appearance, you'll notice that in keeping with other areas of Tiger, the various windows and sheets of AMS now contain lilac-coloured circular buttons with question marks to indicate there is help documentation available for this part of the program via OS X's Help Viewer.
The Local name also appears in the Participants list on the transmitting Mac see the screengrab overleaf. Core MIDI in Tiger takes the idea of sharing MIDI data between applications one step further with the addition of a Network device shown above , which makes it possible to send MIDI data between applications running on different Macs via a network — so long as each machine is running Tiger, of course. This feature has many possible uses, the most significant being the idea of using other Macs to run software instruments that can be played from your main sequencing application, either with hosts such as Steinberg's V-Stack or instruments that can run as stand-alone applications, like NI's Kontakt.
For me personally, this is usually the only reason I have a MIDI interface on a Pro Tools rig, so hopefully using the new MIDI networking facilities will enable yet more hardware to disappear from the studio. The configuration of a MIDI network is fairly easy.
The various settings in the 'My Sessions' pane are configured in the 'Session' pane on the right-hand side of the same window. You can also specify a Bonjour name for the Session, which is the name OS X's Bonjour service will use to publish that Session on your local network the default setting is that your computer's name from the Sharing Preferences Panel is used here. Underneath the 'My Sessions' pane is the Directory, which lists all the available Sessions you can join on your network, also listed by their Bonjour names. The next step is to select a Session in the Directory from another computer on the network to connect with the Session you're currently setting up.
If the connection is successful, the Session name from the Directory will be listed in the Participants list in the right-hand Session pane. At this point, you should have a functioning MIDI network. The neat thing is that if you have two other Macs participating in the same Session, both Macs will receive the same data from the 'master' Mac, which is useful for slaving multiple machines to the same timecode stream, or layering instruments from two computers playing the same music.
The latency of incoming MIDI data for a selected Session is plotted by red lines on the black Latency bar in the MIDI Network Setup window, and ideally you obviously want the latency of events to be as close to 0ms as possible. If you notice timing errors in the MIDI events that are sent across the network, you can set a number of milliseconds by which to offset incoming events to smooth out the timing errors by double-clicking in the 'Latency adj. Entering a positive value will cause all incoming events from that Mac to be delayed by the given number of milliseconds.
For example, if you want to play MIDI input from a keyboard and send this via a Session to another computer on the network but without running a sequencer like Logic, for example , you select the appropriate Session, and then, in the 'Live routings' section at the bottom right of the MIDI Network Setup window, you set the uppermost pop-up menu with the arrow pointing to the network symbol to the MIDI port to which you've connected your keyboard.
Alternatively, if you want MIDI output from a Session on the network to be output to a sound module, or some other hardware sound source, then again, you simply choose the appropriate Session and, in the lower pop-up menu in the bottom right of the window, select the MIDI port where the sound source is connected. The receiving Mac Mini, from which the grab on the previous page was taken, is listed under Participants.europeschool.com.ua/profiles/xylamunyr/ccss-citas-web.php
Installing on Mac OS X - yWriter Wiki
Finally, if you have your Macs connected to a network that's populated by many other people's Macs, as in many larger studio environments , there are some permission controls you can exert by using the MIDI Network Setup's directory list. The host address must include a port number to identify a specific Session on the computer, since the computer could be hosting multiple Sessions, potentially with other Macs. A neat side-effect of this is that because you can enter a specific host address in this sheet, it's even possible to add the address of a computer that's not even connected to your local network, and exchange MIDI data with another Mac somewhere else in the world!
Once you've added the other Sessions to the Directory, you can control who connects to Sessions on your Mac by selecting an option from the 'Who may connect to me' pop-up menu below the Directory. Setting this option to 'Anyone' will allow any other system to connect to a Session on that Mac, while selecting 'Only computers in my Directory' allows only those computers with the specified addresses and port numbers to connect to a Session.
In this way, you can allow only a specific Mac to join a specific Session, blocking access to all other Sessions you might be hosting.
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Finally, you can set this permission option to 'No one', which doesn't allow anyone to connect to a Session on your Mac. Networking in Core MIDI is definitely a great addition to Mac OS X, and the only slight disappointment is that there's no compatibility with Windows-based systems, which would be perfect for those who use Mac-based sequencers with computers running the Windows-only Gigastudio software. I guess Apple's idea is that everyone needs to swap to entirely Mac-based systems! The installation process for Tiger is pretty much the same as for previous versions of Mac OS X: you can either boot from the supplied DVD directly, or run the application provided on the disc that will restart your Mac and boot from the DVD automatically without you having to hold down the 'C' key.
It's possible both to upgrade existing versions of Mac OS X or install a clean version, either by archiving your previous System folder or by erasing your entire boot disc. I tried both procedures and had no problem upgrading Macs running Panther to Tiger, with no obvious issues arising or lost data due to the upgrade. While the upgrade might be the better option for general-purpose Mac computers, I still favour the clean install on dedicated audio and music systems. While wiping and starting again with your day-to-day computing needs is a pain, audio and music workstations tend to have less installed on them in the first place, so there is less to reinstall.
And remember, many applications and certainly drivers will need upgrading for Tiger anyway, so why not get a completely clean system while you upgrade with a new OS, application version and drivers?
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Just remember to clone the disk when you're finished with a utility like Carbon Copy Cloner www. Unless you plan on using your Mac in multiple languages or require fonts for Chinese, Korean, Arabic, and so on, you can save a considerable amount of space on your hard drive. Generally speaking, I usually leave the family of printer I use myself, such as HP, and also leave the Gimp drivers required by some applications.
In the end, my basic Tiger installation required just 1.
After you've installed Tiger, and your Mac boots up for the first time running the new operating system, you'll need to enter the usual registration information and confirm various time, date and network settings. Users upgrading from a previous version of OS X will notice an Assistant appear so you can confirm your registration information, although it's possible to quit this Assistant application without completing the information if you wish.
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After this, if you've performed an upgrade rather than a clean install, you might notice your hard drives spinning away rather feverishly; this is due to the new Spotlight feature that basically needs to index your drives before it can work. I didn't see a way of skipping this step, but you can check on the progress by clicking the Spotlight icon at the top right of the menu bar.